Maari 2 Full Movie in Telugu | Dhanush, Sai Pallavi, Krishna
When the film opens, we are introduced to Kalai (Krishna), the son of a mighty don who is no more. Maari and Kalai happen to be thick friends. When a rival gangster wants offers to cut a deal with him in the drug business, Kalai, who was once a drug addict, refuses on Maari’s insistence. Meanwhile, Gangadhar Beeja (Tovino Thomas), a hardened criminal who badly wants to take revenge on Maari, uses this situation to create bigger problems.
Maari(Dhanush), the fun loving don is back with his friend Velu (Krishna), the son of a don who is no more. Maari and Velu happen to be close friends. When they receives a deal for drug bussiness the Gangadhar Beeja (Tovino Thomas), takes gets into this and creates issuse them. How Maari deals Beeja is rest of the story to be watched on big screen.
More importantly, the film also has a well-written female lead character in the form of Araathu Anandhi (Sai Pallavi), an intrepid auto driver who pines for Maari. It is a winsome character and Sai Pallavi’s hits the right note with her performance. A little over the top and the performance would have turned the character into an irritating one, but she strikes the right balance and makes Anandhi endearing. The scenes (and the fabulously choreographed song, Rowdy Baby) featuring her and Maari are the film’s highlight. They are the ones that actually capture the sense of fun that the first film had in its spirit.
Beeja has been in ties with the commissioner and was the mole himself. He had been leaking info about his men so that he may come out clear to become an MLA candidate. It is also revealed that despite begging for forgiveness, the counsellor insisted on his son beating up Kaali, and so, Maari beats up the counsellor and his henchmen. In a final encounter, the police turns against Beeja. Maari fights Beeja and paralyses his legs for revenge for Aanandi and reveals to him that Maari killed his brother because Beeja could be killed by his own brother for property. Soon Beeja gets sentenced for life term prison. Maari is then shown with his sidekicks continuing his old life.
The film never recovers from these developments. We get a couple of nods to the previous film’s high points and a well-timed punch dialogue, but that’s that. And the less said about the climax the better.
Maari(Dhanush), the fun loving don is back with his friend Velu (Krishna), the son of a don who is no more. Maari and Velu happen to be close friends. When they receives a deal for drug bussiness the Gangadhar Beeja (Tovino Thomas), takes gets into this and creates issuse them. How Maari deals Beeja is rest of the story to be watched on big screen.
More importantly, the film also has a well-written female lead character in the form of Araathu Anandhi (Sai Pallavi), an intrepid auto driver who pines for Maari. It is a winsome character and Sai Pallavi’s hits the right note with her performance. A little over the top and the performance would have turned the character into an irritating one, but she strikes the right balance and makes Anandhi endearing. The scenes (and the fabulously choreographed song, Rowdy Baby) featuring her and Maari are the film’s highlight. They are the ones that actually capture the sense of fun that the first film had in its spirit.
Beeja has been in ties with the commissioner and was the mole himself. He had been leaking info about his men so that he may come out clear to become an MLA candidate. It is also revealed that despite begging for forgiveness, the counsellor insisted on his son beating up Kaali, and so, Maari beats up the counsellor and his henchmen. In a final encounter, the police turns against Beeja. Maari fights Beeja and paralyses his legs for revenge for Aanandi and reveals to him that Maari killed his brother because Beeja could be killed by his own brother for property. Soon Beeja gets sentenced for life term prison. Maari is then shown with his sidekicks continuing his old life.
The film never recovers from these developments. We get a couple of nods to the previous film’s high points and a well-timed punch dialogue, but that’s that. And the less said about the climax the better.
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