Majili Full Movie HD | NagaChaitanya, Samantha
Poorna, who lives in Vizag, aspires to play for the Indian Cricket Team and wants to initially get selected for the local railway team. While trying to get money to get into a cricket team, he runs into Anshu, and after some misunderstandings, they become close and fall in love. However, they later get separated by Anshu's parents and the circumstances that plague them:
Anshu, who promises to return to Poorna, never comes back. Poorna falls into a depressed state, turning to alcohol for his pain and pushing away his cricket career. Meanwhile, Sravani, Poorna's neighbour, had been in love with Poorna, which he is unaware of.
When she had learned of Poorna's love for Anshu, she had been distancing herself from him, but she marries him after a few years after seeing his and his father's pain. Poorna marries Sravani due to pressure from his father but maintains his distance and does not go to work, instead reliving his memories with Anshu and relying on Sravani's salary for money to buy alcohol.
The conflict is internal and Poorna’s heart turns heavy with time. The star of the film, however, is Naga Chaitanya, who delivers the best performance of his career so far. His eyes are full of pain and he makes you sympathise with him almost instantly. Divyansha Kaushik is a terrific new talent and she is the big surprise package of Majili.
Her love story with Naga is beautifully conceived and Nirvana has filled the track with lots of innocence and bittersweet moments. Samantha brings in plenty of emotional depth to the story and does full justice to her role. Suhas (who plays Chaitanya’s friend), Rao Ramesh, Posani Krishna Murali and Subbaraju are well cast in their respective roles.
Majili is an honest portrayal of relationships. With some terrific performances by its cast, Vishnu Sarma’s cinematography, and fine writing from Shiva Niravana, the film turns into an enriching experience. It does leave you with a hangover of pain and love. Two big thumbs up.
When Poorna goes to drop Sravani off at the railway station, he tells that he loves her. He was actually going to tell her that he loves her, but she then has decided to leave. Sravani decides to stay, and they embrace, finishing Poorna's journey (Majili) towards love.
Anshu, who promises to return to Poorna, never comes back. Poorna falls into a depressed state, turning to alcohol for his pain and pushing away his cricket career. Meanwhile, Sravani, Poorna's neighbour, had been in love with Poorna, which he is unaware of.
When she had learned of Poorna's love for Anshu, she had been distancing herself from him, but she marries him after a few years after seeing his and his father's pain. Poorna marries Sravani due to pressure from his father but maintains his distance and does not go to work, instead reliving his memories with Anshu and relying on Sravani's salary for money to buy alcohol.
The conflict is internal and Poorna’s heart turns heavy with time. The star of the film, however, is Naga Chaitanya, who delivers the best performance of his career so far. His eyes are full of pain and he makes you sympathise with him almost instantly. Divyansha Kaushik is a terrific new talent and she is the big surprise package of Majili.
Her love story with Naga is beautifully conceived and Nirvana has filled the track with lots of innocence and bittersweet moments. Samantha brings in plenty of emotional depth to the story and does full justice to her role. Suhas (who plays Chaitanya’s friend), Rao Ramesh, Posani Krishna Murali and Subbaraju are well cast in their respective roles.
Majili is an honest portrayal of relationships. With some terrific performances by its cast, Vishnu Sarma’s cinematography, and fine writing from Shiva Niravana, the film turns into an enriching experience. It does leave you with a hangover of pain and love. Two big thumbs up.
When Poorna goes to drop Sravani off at the railway station, he tells that he loves her. He was actually going to tell her that he loves her, but she then has decided to leave. Sravani decides to stay, and they embrace, finishing Poorna's journey (Majili) towards love.
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